John J. Vinacci

My last 'sci-fi' read of the year is the story of a time-agent, a person tasked with preventing criminals from taking advantage of time travel, getting stuck in the past and his 'rescue' after 18 years. Problem is, he is emotionally torn between the family he leaves behind in the past and the family from his proper timeline he returns to. In short, it's an emotional rollercoaster painted with a veneer of sci-fi shenanigans. And that's the book's main problem.  As a family drama, the book works well enough (though I surely wouldn't say 'gripping') and is generally well-written. I just couldn't get behind the overall story, though, because the book is billed as being sci-fi - given the element of time travel - but the time-traveling merely serves as a plot device whose particulars aren't given much thought by the author. This tended to make the book almost read like advanced Young Adult material than a thought-provoking exercise in sci-fi.

First, a synopsis from Amazon: " The Employees  chronicles the fate of the Six-Thousand Ship. The human and humanoid crew members complain about their daily tasks in a series of staff reports and memos. When the ship takes on a number of strange objects from the planet New Discovery, the crew becomes strangely and deeply attached to them, even as tensions boil toward mutiny, especially among the humanoids."  Apparently, this book had been shortlisted for several sci-fi book awards and honestly, I can't even begin to understand why.  As stated in the book's synopsis, each chapter is a report/statement from an employee aboard the Six Thousand Ship t o a corporate investigatory board concerning the attachment of the employees to 'objects' that are taken on the ship. What the objects are exactly is never stated. There is no particular character to root for. A murder mystery is teased but never properly addressed. There is no deep philosophical exploration (much le

This was a fun read and a real page turner for me. All Our Wrong Todays is an alternate timeline/time-travel story warped by the crushing specter of personal despair and family drama. While I see this book as not being everyone’s cup of tea, its strength lies in the fact that you simply don’t know what’s going to happen next while our anti-hero, Tom, deals with what a fuck-up he is. (This is the really the only trope the book gives service to in a genre littered with tropes.) The book has some great lines, such as, “Every invention introduces you to the accident of that invention” and this goes for people, as well. If there’s a downside to the book, it would be that too often our (anti)hero is written in an immature and crass way with too much dialogue to reflect this and his inability to truly explore the philosophical implications of his actions. Tom, the (anti)hero is not someone we could admire but I believe he reflects that dark side of ourselves that we hate to admit exists somet

 A man-vs-nature book set slightly in the future and on a different planet to boot, The Martian excels at something very particular: Making math relevant and accessible. Mathematical skills have never been my strong suit, but reading about an unintentionally stranded astronaut fighting to stay alive by having to do numerous calculations (that the story walks you through!) captivated me. Given our protagonist is a mechanical engineer and botanist with an everyman's sense of humor made astronaut Watney a character to root for when there are really no other characters to be found, not until more than a quarter of the way through the book. None of those characters are fleshed out, mind you, as this serves to keep the focus on 'the Martian' and this is a bit distracting as it makes the team at NASA working to save Watney caricatures. So, there is that flaw, while the eventual rescue attempt seem a bit rushed (yet thrilling nonetheless) and the book begins switching narrative pe

Before coming into this year as the Year I Read Only Sci-Fi books, 'fun' is not a word I would have used to describe any sci-fi book I've read before. But this year I did have some fun reads, first with The Kaiju Preservation Society and now with Drunk On All Your Strange New Worlds . Drunk On All Your Strange New Worlds begins as a seemingly straight-forward murder mystery in which an alien cultural attaché's murder casts suspicion on his translator, Lydia, who sets out to prove her innocence by finding the real killer(s). Driven by dry wit and a clever finger on the pulse of the intersection between technology and conspiracy theories, this book was a joy to read. Moreover, we're given a realistic, relatable protagonist in Lydia who not only has to deal with the fact that translating for the aliens makes her drunk but has to deal with recognizing her other limitations and the mistakes she has and does make. While she takes on more than many of us might in her sit

It was back the classics for my next read, or at least what was reported to be sci-fi classic by many reviewers... The Left Hand of Darkness is the story of The Envoy, Genly Ai, a representative of a confederation of planets seeking to bring a new world, Gethen (aka Winter per its near perpetual frozen state) into the confederation. The Envoy is stymied by cultures he struggles to understand, cultures which are based around the fact that its otherwise human inhabitants can be male of female once a moth depending on their hormones; the inhabitants are ambisexual . Strangely, this book is reportedly not only a sci-fi classic but a feminist classic, though not only did I struggle to find the (modern) feminist message, the fact that Gethen's inhabitants are ambisexual really doesn't figure into the plot beyond The Envoy failing to understand the nuances of behavior of the people he's dealing with (which you would think any alien ambassador would be better at).  Eventually, bec