John J. Vinacci

Having only read a short story of two from Murakami which were mundane to say the least, I’m not sure why I undertook the epic length of 1Q84. Yet I did and came to find the book is not without any merit. The prose of the much-ballyhooed novel certainly flows well-enough and I can say that I’ve never come across such an unusual plot before, even having read a good deal of surreal fiction; I love the book’s originality in that regard. I also enjoyed characters that are well-developed. However, I have a number of misgivings preventing me from finding this a satisfying read: For starters, Murakami is a writer for people who like their scenes explained in mind-numbing detail. That’s all well and good for some readers, but for others like myself its entirely frustrating. In 1Q84’s case, it often felt like Murakami was trying to meet a page count, where entire chapters did little – and on occasion – nothing at all to advance the story. There is also a great deal of sex throughout the book ...

The last book I read was such a deeply soft sci-fi book I felt like going in the opposite direction for my next novel, the hard sci-fi classic The Mote in God’s Eye . Published in 1974, this is an epic, galaxy spanning, militaristic story that finds humanity making first-contact with aliens in the year 3017 after mankind has spread through several other solar systems. I did feel like the first two chapters of the book were a bit of a drudgery but the third chapter picked up business long enough to pique my interest and propel me the rest of the way. Sure, but did I like it? This book is somewhat vexing. Well-written most of the way with an interesting-at-times but also too-familiar take on the mostly humanoid aliens, the book is occasionally ahead of its time (pocket computers, the Langston Field) while simultaneously being a product of the era it was written in (largely traditional patriarchal male/female roles and notes of feudalism, where a ‘romance’ that feels tacked on and immatur...

Solaris is a classic sci-fi drama that follows the story of Kris Kelvin, a psychologist, as he arrives on a space station that is surveying the planet Solaris below. Solaris – the planet itself – appears to display signs of what might be intelligence, implying the planet is conscious. However, this intelligent consciousness is not like anything human, raising the question of why humans use themselves as the standard of consciousness for all ‘life.’ This however, is but a subplot of the book.   The book’s main focus is upon the humans studying it. Shortly after Dr. Kelvin arrives on the station, he is soon plagued by ‘visitors’ of which I will say nothing more other than said ‘visitors’ are implied to be explorations of the human psyche by the planet for reasons that are not readily apparent. The book’s strength lies in how Dr. Kelvin rationally, successfully – and emotionally, unsuccessfully – deals with the station’s ‘visitors.’ This is what makes the book more about the human psy...